Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach. Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!"!

The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! They went at last, the wiseheads, down to Poynton, where the palpitating girl had the full revelation. "Now do you know how I feel?" Mrs. Gereth asked when in the wonderful hall, three minutes after their arrival, her pretty associate dropped on a seat with a soft gasp and a roll of dilated eyes. The answer came clearly enough, and in the rapture of that first walk through the house Fleda took a prodigious span. She perfectly understood how Mrs. Gereth felt—she had understood but meagrely before; and the two women embraced with tears over the tightening of their bond—tears which on the younger one's part were the natural and usual sign of her submission to perfect beauty. It was not the first time she had cried for the joy of admiration, but it was the first time the mistress of Poynton, often as she had shown her house, had been present at such an exhibition. She exulted in it; it quickened her own tears; she assured her companion that such an occasion made the poor old place fresh to her again and more precious than ever. Yes, nobody had ever, that way, felt what she had achieved: people were so grossly ignorant, and everybody, even the knowing ones, as they thought themselves, more or less dense. What Mrs. Gereth had achieved was indeed an exquisite work; and in such an art of the treasure-hunter, in selection and comparison refined to that point, there was an element of creation, of personality. She had commended Fleda's flair, and Fleda now gave herself up to satiety. Preoccupations and scruples fell away from her; she had never known a greater happiness than the week she passed in this initiation.

"You mean, even if she doesn't let you off? Ah, you ask me too much!" Fleda spoke from the tiny hall, where she had taken refuge between the old barometer and the old mackintosh. "There are things too utterly for yourselves alone. How can I tell? What do I know? Good-bye, good-bye! If she doesn't let you off, it will be because she is attached to you." When the two girls had gone in to breakfast it was for Fleda to see at a glance that there had been a further passage, of some high color, between Owen and his mother; and she had turned pale in guessing to what extremity, at her expense, Mrs. Gereth had found occasion to proceed. Hadn't she, after her clumsy flight, been pressed upon Owen in still clearer terms? Mrs. Gereth would practically have said to him: "If you'll take her, I'll move away without a sound. But if you take any one else, any one I'm not sure of, as I am of her—heaven help me, I'll fight to the death!" Breakfast, this morning, at Poynton, had been a meal singularly silent, in spite of the vague little cries with which Mrs. Brigstock turned up the underside of plates and the knowing but alarming raps administered by her big knuckles to porcelain cups. Some one had to respond to her, and the duty assigned itself to Fleda, who, while pretending to meet her on the ground of explanation, wondered what Owen thought of a girl still indelicately anxious, after she had been grossly hurled at him, to prove by exhibitions of her fine taste that she was really what his mother pretended. This time, at any rate, their fate was sealed: Owen, as soon as he should get out of the house, would describe to Mona that lady's extraordinary conduct, and if anything more had been wanted to "fetch" Mona, as he would call it, the deficiency was now made up. Mrs. Gereth in fact took care of that—took care of it by the way, at the last, on the threshold, she said to the younger of her departing guests, with an irony of which the sting was wholly in the sense, not at all in the sound: "We haven't had the talk we might have had, have we? You'll feel that I've neglected you, and you'll treasure it up against me. Don't, because really, you know, it has been quite an accident, and I've all sorts of information at your disposal. If you should come down again (only you won't, ever,—I feel that!) I should give you plenty of time to worry it out of me. Indeed there are some things I should quite insist on your learning; not permit you at all, in any settled way, not to learn. Yes indeed, you'd put me through, and I should put you, my dear! We should have each other to reckon with, and you would see me as I really am. I'm not a bit the vague, mooning, easy creature I dare say you think. However, if you won't come, you won't; n'en parlons plus. It is stupid here after what you're accustomed to. We can only, all round, do what we can, eh? For heaven's sake, don't let your mother forget her precious publication, the female magazine, with the what-do-you-call-'em?—the grease-catchers. There!" It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck.